Being first has its advantages, especially when you’re creating something new. Back in 1989, a singular comic book landed in stores: Gotham by Gaslight, written by Brian Augustyn and drawn by Mike Mignola (of Hellboy fame). Like the best of alternate history, Augustyn asked a simple question: what would Batman been like if he lived in a Victorian Gotham? The answer is the same, but slightly different. If the devil is in the details, Augustyn got everything right with this first alternate history title from DC Comics. Bruce Wayne’s parents are still killed in front of him except this time it is as part of a stagecoach robbery. And, as his enemy, none other than Jack the Ripper who has crossed the Atlantic and set up shop in Gotham. Here’s the problem. A strange bat-like creature has also made an appearance in Gotham. Some think he’s doing good. Others see him and Jack as the same man. Not a huge deal until the police show up at Wayne Manor...and find incriminating evidence that Bruce Wayne is Jack the Ripper. The best part of this story is Bruce becoming the World Greatest Detective. Now, that’s a moniker we’re used to reading about Batman but it’s put to the test after Bruce is convicted. He asked for all the evidence and has to figure out who the real killer is before he, Bruce, is hanged. Talk about pressure. Mignola’s artwork is wonderfully moody and a real steampunkish vibe is present throughout the book. The sequel (guess that spills the beans about the ending of the first story) is titled Master of the Future. It takes place eighteen months after Bat-Man defeated Jack the Ripper. Here, the Mayor of Gotham insists on having a world’s fair to demonstrate how forward-thinking Gotham is as it enters the twentieth century. A madman, Alexandre LeRoi--a copy of Jules Verne’s Robur-the-Conqueror--puts the city on notice: cancel the foul, pollution-filled fair or burn. The Mayor keeps the fair on schedule and LeRoi also keeps his retribution on schedule, too. I’ll admit that Master of the Future isn’t nearly as good (or moody) as Gotham by Gaslight. Batman is best when he, and the story and the scenery, are moody. The success of Gotham by Gaslight lead to DC Comics creating an entire line of “What ifs” under the imprint Elseworlds. Unlike Marvels's "What If...?" titles--which imagined alternate timelines from the already-established timeline--DC's Elseworld titles usually involved putting heroes at different places durig history. Thus, you get Wonder Woman in the Old West or the baby Superman's spaceship landing in the Soviet Union. The high point was the annuals (larger stories, usually one-shots, of monthly titles) of 1994. Every annual published that year was an Elseworlds title. Some of these stories are quite good; others not so much. Over the years, I stopped collecting the monthly comic books but I get most every Elseworlds title. Other than Gotham by Gaslight, some high points are: • The Blue, the Gray, and the Bat - Batman in the Civil War • Red Rain - Batman vs. Dracula (a trilogy actually) • The Doom that Came to Gotham - Batman vs. Lovecraftian monstrosities • A Nation Divided - Superman as a Union soldier • Speeding Bullets - Superman raised by the Waynes and becomes a superpowered Batman • The Feral Man of Steel - Superman lands in India with Rudyard Kipling There are a lot of these stories. Frankly, the Batman stories work best but many of the Superman stories are good, too. Here’s a link for more. But it all started with Batman in the Victorian Age. It answered questions we all wondered about. Now, we have many possible answers.