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Enjoy.
And don't forget to check out Do Some Damage, the new group blog focusing on crime fiction of which I'm a part. It debuts tomorrow.
Texas Park Ranger Renee Richards was holding up a thin gauzy piece of see-through nothingness that was supposed to be lingerie when her cellphone sang out the latest Kenny Chesney tune. One by one, Renee leading the way, all five women at the bridal shower stopped cackling as the inevitable nature of the call dawned on them.I've got the entire story plotted. I intend for it to be a short, fun, light, and, perhaps, eerie tale of a park ranger in Texas and how she solves the puzzle of the escaped convict's whereabouts.
The manhunt had reached the state park.
I always took that quote to partially explain the move, by mystery and crime fiction, into the twentieth century. And, by extension, brought it to the American city. Sure, there is the famous foggy London of Sherlock Holmes and there is death there, and danger. But what Hammett,
By the time Ed McBain began writing fiction, this tradition was decades old. McBain scanned the landscape, saw what was what, judged the speed of the moving traffic, and merged right in, going zero to sixty in seconds. And he never looked back, even when he changed lanes. Everyone else had to swerve to get out of the way of this fast-moving car whose driver knew exactly what he wanted and where he wanted to go.
Originally published in 1958 under the title I’m Cannon—For Hire, I read the republished version from Hard Case Crime entitled The Gutter and the Grave. A quick check at Thrilling Detective (thanks again!) reveals that McBain liked the new title. The new title is quite apt. The first sentence of the story finds Matt Cordell basically in the gutter. The last sentence finds Cordell…well, I don’t want to ruin the ending.
McBain’s prose is, like Hammett’s, tough, ornery, and punchy. I use punchy because there are a few fights in the books, both in flashback and in the book’s present day. And the beating Cordell takes is brutal. It’s brutal by today’s standards. I can’t imagine the reading public’s reaction back in ’58.
I listened to the audiobook version. The good folks at BBC Audiobook
Just don’t blame me if it starts an addiction. I warned you.
The woman who sat across the coffee table from me took a cigarette out of her metal cigarette case and placed it between her luscious, pouty lips. She replaced the case in an interior pocket of her red cape at the same time she ‘flicked’ her thumb. A small, still flame emerged from the tip of her thumb. She brought the flame to the end of her cigarette and lit it. She inhale deeply, eyes closed. Absently, she shook her thumb as if she were extinguishing a match. She opened her eyes and looked at me. As she spoke, the smoke trickled out of her mouth.Don't know where that came from but I chuckled as I wrote it a few years ago.
"People accept me a little better if I just shake my thumb out rather than if I just turn off the flame."
Something inside me changed the day I killed my sister. Holding her bleeding body, watching the lucidity melt away from her eyes, I cried. I vomited. I had to be sedated. In the days after, I came to terms with my actions, my guilt, my rage. I knew who was to blame. I made a vow: I would never miss again.For more Two Sentence fun, Women of Mystery is the place to be today.
These thoughts raced through my mind as my hand flexed around the butt of my gun, steadying my aim. The barrel of the Glock centered on the man’s forehead, the sight a fuzzy black rectangle between his eyes.
I had him cold.
The second day of July, 1776, will be the most memorable epoch in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated as the day of deliverance, by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations, from one end of this continent to the other, from this time forward forever more.