It's the Kitten's Fault in Furbidden Fatality by Deborah Blake

You would think winning the lottery would solve all your problems, but if you've heard real-life stories of lottery winners ruining their lives, then you know money doesn't solve everything. Unless, that is, you have a purpose. Or a mystery to solve.

Kari Stuart, twenty-nine years old, is the lottery winner in question in Furbidden Fatality, the first in a new series by Deborah Blake, and it is the March 2021 selection in Murder by the Book's cozy mystery subscription service. What you don't see on page one is Kari extravagantly spending her money or doing the other things folks flush with new  cash do. Instead, she is driving a small black kitten she found to the local animal shelter. What she finds, however, is a run-down facility with no more room to take in the cute kitten. Turned away and wondering what to do with the cat, Kari impusively buys the shelter, giving her aimless life new focus.

As stories of this type do, we now get to meet all the supporting cast of Lakeview, the town in which she grew up. Suz, her best friend, who often serves as the Greek chorus, throwing reality at Kari at various times in the book, especially at the beginning when she first learns of Kari's purchase of Serenity Sanctuary. Sara Hanover, volunteer at the shelter, is a former English teacher who still knows everyone in town which comes in handy as the book goes on. You’ve got Bryn, a somewhat sulky twentysomething and Daisy, the older former owner.

Into this mix comes Bill Myers, the local dog warden, and the bane of the shelter’s existence. The latest Myers accusation is against a pit bull, Buster, who is accused of biting someone else. Myers is chomping at the bit to confiscate Buster and put him down. Well, good news: he doesn’t do that, mainly because he’s murdered. On the grounds of Serenity Sanctuary.

Guess who’s the number one suspect? You’re right. Kari, who has moved in and took up residence on the property. All the clues point to her. She had the motive (save Buster), the opportunity (her land), and the weapon (Myers was choked with a snare pole). The cops barely look elsewhere, despite additional clues and information along the way, so it’s up to Kari to clear her name (and those of her friends who get pulled into the investigation) while uncovering the real killer.

Blake moves the story along pretty quickly, adding in new wrinkles to the mystery and throwing a false leads along the way. Kari and her friends have a lot of pluck as they basically become detectives despite them not knowing how to really do it. There are a couple of jokes from the police about the reality of detective work versus what is seen on TV. All in all, I didn’t figure out the killer until the end, always the mark of a good book.

I’m early in my enrollment in what I call Cozy College, where I read cozy mysteries, a genre all but brand-new to me. Of the half dozen I’ve read this year (Bait and Witch, Murder at the Beacon Bakeshop, and four Andy Carpenter novels by David Rosenfelt), Forbidden Fatality is the first one written in third person. It doesn’t diminish the book at all, but I kind of have gotten used to a lead character in a cozy being the narrator. Maybe that isn’t the norm, but it was one of the stereotypical things I thought cozies were like—and those earlier books confirmed.

Interestingly, another trope I associate with cozies that involve pets is that the pets themselves help solve the crimes. The Andy Carpenter series has pets (and, ironically, a dog shelter) but they don’t help out. In this novel, Queenie (the black kitten that started the whole thing) actually does. Makes for quite a charming little addition to a fun book.

Enrolling in Cozy College

I’m going to school again, and I couldn’t be more excited. I call it Cozy College, a year-long look into cozy and traditional mysteries. And I even have a professor.

My Preconceptions

Even though I spent my youth reading novels featuring The Three Investigators and the Hardy Boys, I didn’t truly become introduced to mystery and crime fiction as an adult until 2001 when I read Mystic River by Dennis Lehane. I liked the harder-edged material and started to amass a list of like authors. Couple this reading with my discovery of pulp novels and authors of the past and I was firmly in the realm of the hard stuff.

When it came to traditional mysteries—the kind whose Golden Age was between the world wars, usually featuring a quirky detective with violence largely off-screen—I just never got into them. Throw in cozy mysteries with their cutesy titles and eccentric hooks and I dismissed them out of hand.

But something changed over the past few years and it all started with television. Masterpiece Mysteries and online streaming services showcase fantastic programs from around the world and many of them, while not cozy, are certainly firmly ensconced in the traditional mystery field. I’m thinking Unforgotten, Broadchurch, The Killing, Hinterland, Elementary, and, most recently, Knives Out and Before We Die. What they showed me was there didn’t have to be a lot of violence, blood, and language to create some rich characters and stories.

These shows were traditional mysteries, but not cozies, so something else needed to be added to the mix.

The other thing that helped change my mind also involved television. It begins with the word “Hall” and ends with the word “Mark.” Yes, I’m talking Hallmark, specifically Hallmark Christmas movies. In past years, I’d kinda sorta check the Hallmark Channel’s Christmas lineup and watch barely a handful, many of them unmemorable. In 2020, I went the opposite direction. I actively sought out and watched as many of them as I could. I would earmark certain movies and make sure to watch them or tape them. I’d set the VCR (yeah, really) to record the ones I wanted to finished if I had to go to bed on work nights. I started to recognize the actors, where they showed up in other movies, and basically had a field day in the coziness of a Hallmark Christmas.

That’s when I basically looked over at the mystery genre again with a decidedly open mind about cozy mysteries. Maybe they weren’t all that I thought they were.

The First Step

In December, seeking to merge my love of Christmas, Hallmark, and mysteries together, I went over to Houston’s Murder by the Book bookstore and picked up a couple of cozy Christmas mysteries. I finished one during the season, Dachshund in the Snow by David Rosenfelt. With a title like that, my preconceived ideas were all cutesy things where the titular hound solves the case. I was prepared for saccharine.

Didn’t get it.

I got a darn good book with a good mystery and a likeable narrator who is a chip off the block of past detectives like Donald Lam and Archie Goodwin. The novel was traditional but not necessarily cozy. Nonetheless, I was definitely intrigued, so much so that I went to my Libby app (for public libraries) and downloaded another audiobook in the series. And I decided to spend 2021 reading a lot more traditional and cozy mysteries. But I would need a guide to help chart my course.

Tthat’s when I got the email.

Murder by the Box’s Subscription Service

Just in time for Christmas, the owner of the bookstore, McKenna Jordan, sent an email describing the new Murder by the Box subscription service. In either 3-month or 12-month choices, readers can choose one of three themes and receive books. There is Best of the Month (a new hardcover), Crime Fiction Legends (two trade paperbacks) and—yes, I literally scanned the email quickly to make sure it would be a choice—Cozy Corner.

Bingo!

I was set. One mass market paperback in the cozy/traditional genre per month. I eagerly signed up in December—it was my Christmas gift to myself—and waited for January.

The book was brand-new: Bait and Witch by Angela M. Sanders. With the book came a postcard with a welcome message, the reason the book was selected, and immediate recommendations for similarly themed stories. Like Rosenfelt’s book, Batch and Witch was a good mystery but definitely more on the cozier side. I enjoyed it and am definitely looking forward to each month’s selections.

Maybe all those preconceived ideas I had about cozy mysteries were wrong from the jump. I hope this reading list of 2021—and the jumping off points—prove me wrong. It’s already started.

The Professor Is In

But what makes the Cozy Corner special is the person selecting the books, the Professor at Cozy College. John McDougall is the Event Coordinator at Murder by the Book. If you’ve seen the many author talks via the store’s YouTube channel since 2020, you’ll recognize him. He is the resident cozy expert. I reached out to John this week to ask him a few questions, including how this subscription idea came about and what drew him to cozies.

“A few years ago when Helen Ellis (author of American Housewife) signed at the store, she said she wished I could send her a cozy every month, and that's what unofficially started it. As subscription boxes became more popular, McKenna started playing with the idea of starting one for the store, but we never got all the logistics nailed down. In one of those weird coincidences, I mentioned to McKenna that I wanted to start something more official for the Cozy of the Month and she told me that she had also been thinking about wanting to start a subscription service. We were both really excited to get the program started for the holidays and offer the three different options.”

The genesis of his love for cozies stemmed from him reading Posted to Death by Dean James. “At that point I was just a customer at the store and David [Thompson] gave me a copy because he knew I liked other paranormal mysteries. After that I devoured the Ghost Hunter books by Victoria Laurie and I was hooked.”

“The thing that draws me to cozies is the character development. Cozy authors have to quickly create a main character you'll fall in love with, and a community that you'll want to return to over and again. But there's also depth there that people might not expect based on the covers or by calling them cozies. A prominent trope in the cozy genre is the main character going through a bad breakup or divorce and returning to her hometown to start over. A lot of times, that breakup is the thing that allows her to follow her dream, and the dream is usually starting her own business and rebuilding her life on her own terms. The genre has a lot of heart to it, in addition to some really stellar plots.”

In light of the chain of events and mindset shifts I had experienced, John’s words in this last paragraph really hit home for me. Here I was, having a predefined idea of what a cozy was, and basically, I was wrong. And the two books I’ve read so far have proven John’s point. I have already returned to the Andy Carpenter series and the second book in the Witch Way Librarian series will be published in September.

I haven’t been this excited about “reading assignments” in a long time. I am eager to learn more about the cozy genre, and I’m happy to have Professor John McDougall as a guide.

And it’s not too late to join Cozy College for 2021. The February book hasn’t been released yet. If you subscribe now, you’d have to buy Bait and Witch on your own, but you’d get every book from here on out on your 3- or 12-month subscription. If you’re in Houston, a full year is only $99. For twelve books! It’s only $135 if you're out of town and need the books shipped to you. The other themes have different prices, so I encourage you to head over to their website and have a look for yourself. 

You never know. Maybe one of your preconceived notions will disappear just like mine did.

Gregg Hurwitz in Houston

Sometimes an author can deliver a sales pitch so good, you can't wait to see what he's talking about.

Gregg Hurwitz may be a new-to-me author, but I wasn't sure what to expect when he showed up at Houston's Murder by the Book on the first Monday in February. He was the author of twenty-one books--a fact on which he corrected me when I asked him  a pair of questions--so clearly many are reading.

Turned out the answer was a capacity crowd. By the time I walked in the door at 6:15 pm, there were no more seats. Didn't bother me. I have a standing desk at the day job, so I was perfectly fine with standing. I was even more excited to find stacks of the second Orphan X novel, THE NOWHERE MAN. You see, I'm new to Hurwitz's fiction and, as discussed in a prior post, was having the devil of a time securing a copy of the second book in the series. Leave it to Houston's best mystery bookstore to have my back.

The folks at Murder by the Book are nothing if not prompt, so a tad after 6:30, Hurwitz, dressed in black jeans, black shoes, and a black pullover took to the microphone. It's a never-ending trait of author events when you finally see these men and women in person, you realize they're just regular folks. You may be an engineer, a stay-at-home parent, a marketing writer, or an electrician, but these authors are just doing a job. Granted, their job is to make up stories for a living, but it still requires the nuts-and-bolts aspect of sitting down and hammering on a keyboard until they get to a 'the end.'

Hurwitz was the rare author who actually brought notes with him. It told me he was prepared for the evening and knew what he wanted to say. A professional, in short. Have to admire that.

His spiel centered on INTO THE FIRE, his newest novel and the fifth Orphan X novel to feature the character of Evan Smoak. He talked about where Evan finds himself at the novel opens, and the setup for the person who makes the fateful call to the Nowhere Man. Hurwitz discussed some of the returning characters, some I recognized having just read the first book in the series--ORPHAN X (my review)--and others I hadn't met yet.

I've only read the first book and it resonated with me. I knew why, but it was a phrase Hurwitz used that crystallized it: "We never see James Bond go home. We never see Jason Bourne have an awkward conversation." In short, we never see our famous professional killers in an everyday environment. It was that very aspect of ORPHAN X I loved the most. Sure, Evan was going to take out every bad guy he encounters no matter the personal cost, but his conversations with the old lady who lives in the apartment above him or the single mom a few floors below were some of my favorite parts.

After a short reading, Hurwitz took questions. It was cool to see a fellow Houstonian be recognized by the author by name. She was clearly a long-time fan. As an author myself, those are the best. She asked about the character Max (I think that's what she said) who is the one who calls on Evan for help in INTO THE FIRE. The new novel was released last Tuesday and clearly she'd already flown through it. She wasn't the only one. Hurwitz's answer focused on the difference between stories featuring a hero vs. a villain and a tale with a protagonist and an antagonist. There is a distinction. Remember: the best villains are the ones in which they think they're the hero of their own tale. There is room for nuance and character building. Conflict naturally comes from the clash of two protagonists who naturally become antagonists.

Late in the Q&A session, I got in two. The first was how he came to dream up and write ORPHAN X. At the time (2016), he had been writing professionally for over fifteen years. Did he always want to create a franchise character that would appeal to a broad audience? He answered by saying he dreamed up the concept of Evan Smoak years before the book was written and published, but he specifically wrote three other books in between. He needed Smoak to percolate in his mind. By the time he came to write the first book in the series, he and his talents were ready. The success of the series is proof that marinating with an idea can yield spectacular results.

Although I am new to Hurwitz's novels, it wasn't until I had finished ORPHAN X and did a little research that it finally clicked where I knew his name: he wrote Batman comics. I asked him how he got the Batman gig. His answer proved instructive to any creative, myself included.

After a brief stint at Marvel, DC Comics wooed Hurwitz with a tantalizing offer: you can write anything you want. Thinking of how THE KILLING JOKE is often referred to as the definitive Joker story, he wanted to write the definitive Penguin story. He got his chance, and, in 2011, PAIN AND PREJUDICE was released. The mini-series got good press and fan reaction that DC offered Hurwitz a writing gig for one of the monthly Batman books. By opting for a true passion project, new opportunities opened up.

I stayed in line, talking with some of the folks. A couple thanked me for asking the question about the comic books. They had no idea. Maybe they'll head to Bedrock City or Third Planet and track down Hurwitz's comics. One lady learned I was a writer as we discussed Hurwitz's material and I gave her my website address. Who knows? Maybe I gained a reader.

Hurtwitz certainly did. I've enjoyed witnessing my wife's reading habits. When she discovers and author with an extensive back catalog, she plows through them all. Now I've found one myself. Twenty more books to go.

I got Hurwitz's signature in THE NOWHERE MAN and am eager to read it. I really enjoy Evan Smoak as a character and Hurwitz's writing style. Then there's that one intriguing little thing Hurwitz mentioned about the end of INTO THE DARK that hooked me even more: "The last three words change everything."

How's that for a sales pitch?