Last week, I mentioned a new way to consume a story, via a Kindle ebook and its corresponding audiobook. The book in question was Girl Most Likely by Max Allan Collins. Well, I’ve finished the novel and here is the promised review.
The lead character is Krista Larson, a twenty-eight-year-old who serves as the police chief for Galena, Illinois, a small, Midwestern tourist town. This makes her simultaneously the youngest police chief in the country and the youngest female chief. As we’re told throughout the novel, her department consists only of a dozen people, herself included.
Her father, Keith, was also a cop, but one from a larger town across the river. They live together now in the wake of her mom’s passing. They have a good relationship, nothing like the oil-and-water relationships you see on TV or in other books.
Speaking of TV, Collins intentionally set out to write “an American variation of the [Kurt] Wallander novels, and such Nordic TV mini-series as The Bridge, the Killing, and (again) Wallander.” Being a fan of those programs myself, that was pretty much all it took for me to download the ebook and audiobook and start reading.
There’s a certain style of mystery—mostly thrillers, I guess—where there’s running on page one or a murder on page one and that sets the entire tale in motion. That’s here in this book, too, but via a fun writerly quirk: all the times the killer in on stage, Collins writes those scenes in second person, that is, from the killer’s point of view. It serves more the one purses. The obvious one is that you get a peek inside the killer’s mind, what drives the killer to kill. The other obvious thing is that Collins hides the identity of the killer. By the time a reader reaches the end of the novel and know who did, it’s fun to return to those chapters and see how the veteran writer spooled out the clues.
Other than the opening chapter, the bulk of the novel sets the stage via its characters and surrounding environment. It’s a day-to-day life of Krista and her friends as they prepare to attend their ten year high school reunion. We get nice portraits of the folks who never left small town life as well as those who return from bigger cities. As the title of the book indicates, there is one character—Astrid Lund—who is the girl most likely to succeed, and boy has she. Astrid (a nice nod to the Nordic) has blossomed into a stunner who works in TV broadcast news up in Chicago. She broke up more than one relationship back in high school and her presence at the reunion threatens those same people. Most everyone reacts to her in one way or another. She’s like the sun: her gravity either pushes or pulls all her classmates.
What I found particularly fun is how Collins weaves the characters in and out of the story in such a way that you almost wonder if you are merely reading a traditional drama rather than a murder mystery. You kind of have an idea of who is going to be killed, but you still wonder when it'll happen, but when it does, it's visceral. Three people end up dead in this story, so this small town police chief ends up having a triple murder investigation. She draws on her father’s experience as a homicide detective while keeping the investigation local and not calling in the state police.
As a writer, describing a character is always a challenge. How much do you give? How to you give it? Do you do it every time a character walks on stage? Collins does it nearly every time, but he usually dispatches the description in a sentence or two. Interestingly, he goes a step further and details their voice, usually in the form of a musical notation: his baritone, her soprano. Being a musician like Collins, I dug that and, frankly, it never even occurred to me to do that.
Like the BBC shows that inspired Collins to write this story, this is a full-on police procedural. Krista and her dad ask lots of questions and follow leads. You definitely have to be in a mood for this kind of story, and it’s where I have an issue with the sub-title: A thriller. I don’t consider this a thriller at all. Sure, there is the ending, but when I think thriller, I think lots of running and shooting and more running and reading so fast that you quickly start to turn the pages or increase the narration speed. Girl Most Likely moves forward in a determined manner where you know you’re being given some red herrings and try and decipher the clues before the characters.
I enjoyed Girl Most Likely quite a bit. It was exactly the type of story I wanted and it easily met my expectations. In fact, I liked it so much that I already downloaded both the ebook and audiobook of Girl Can’t Help It, the second novel featuring Krista Larson. And, since I enjoy reading “seasonally,” I was pleased to note Girl Can’t Help It takes place around Labor Day. I’ll give you zero guesses when I start the book.
Showing posts with label police procedurals. Show all posts
Showing posts with label police procedurals. Show all posts
Monday, August 15, 2022
Saturday, July 18, 2020
Prodigal Son: Come for the Premise, Stay for the Twists
I had seen the promos for Fox’s PRODIGAL SON back in 2019
and my eyes slid off it. “What if Hannibal Lector had a son and they solved
mysteries together?” Wasn’t interested.
A few weeks ago, with my wife’s urging, we gave it a try. I
am converted.
The Premise
The story focuses on Malcolm Bright (played by Tom Payne), a
former FBI profiler, who now works with a small team at the NYPD. The police
squad is led by Lt. Gil Arroyo (perennial favorite Lou Diamond Phillips) with
Detectives Dani Powell (Aurora Perrineau) and JT Tarmel (Frank Harts) as part
of the team. Keiko Agena plays Dr. Edrisa Tanaka, the medical examiner.
It is Malcolm’s father who is the serial killer known as The
Surgeon, and for good reason: he is renowned surgeon Dr. Martin Whitly. Rouding
out the main cast is Malcolm’s mother, Jessica (Bellamy Young) and his sister,
Ainsley (Halston Sage).
The pilot centers on a copycat killer who is using The
Surgeon’s MO, so Malcolm is brought in. As a kid, Malcolm was the one who exposed
his father, leading to his arrest and imprisonment. Lt. Arroyo was there and
has taken a fatherly interest in Malcolm ever since.
The Central Question
This is your typical killer-of-the-week type of show, but it
is the characters who help lift this show above the mundane. Despite my initial
reticence, you might have thought the premise alone would have hooked me, but I’m
not a huge fan of serial killer stories. Still the dynamics of Malcolm’s
character make it pretty interesting. With a title like PRODIGAL SON and
Malcolm’s own mental issues, there’s a strong chord throughout the show asking
the simple question: Is Malcolm like his father? Could the younger Whitly
succumb just like his father?
The “Is he or is he not a killer?” is a nice twist on the
traditional “Will they or won’t they?” question we ask of shows like CASTLE.
Speaking of one of my all-time favorite shows, the pilot is very similar to to CASTLE’s pilot. Shrug.
There is also the question revolving around Malcolm’s
continued flashbacks to one night, when he was a child, and saw a woman in a
chest. Was she a victim? Who was she? And what happened to her?
The Characters
Even if a premise hooks you, it is often the characters who compel
you to stay. Here, despite the guardrails of a network television show, the
characters are pretty darn good. Malcolm’s great and his mind trips are, well,
a trip. His relationships with the various members of his family are dramatic
if not a little too dramatic. When he visits his dad, they’re always very
formal, with the son referring to his dad as “Dr. Whitly.” But it’s really neat
to see the progression of their relationship as the 20-episode first season
goes on.
Speaking of The Surgeon, Michael Sheen is having a blast. He
knows he’s often the comedic relief and he plays it up. It’s a little jarring
at first to see this serial killer be funny and you laugh at his comments, but
Sheen does a fine job. Know what else he’s good at? The sudden shift from funny
to dangerous, sometimes at the blink of an eye. It is in those moments when you
go, “Oh, right, he’s killed twentysomething people.”
Phillips is solid as a rock. He is even-keeled who knows he
has to go by the book, but also realizes “by the book” doesn’t apply to
Malcolm. This is an “eccentric detective with cops” show after all. He really
cares for Malcolm and does his best to keep the young man out of as much
trouble as he can, not always successfully.
The Stories
Like most shows nowadays, there is the crime-of-the-week
ones and the season-long story arc. Both are satisfying but there are bumps
along the road. Highlights include one in which Malcolm wakes to find himself
chained inside a cellar (episode 11), the pilot (for setting everything in
motion and hooking me), the one with a former cop who worked The Surgeon’s case
(episode 10), and the last trio of episodes. I can’t think of a single episode
that was sub-par, and many were quite entertaining.
The Twists
If given the premise and the central questions I listed
above, I’m guessing you’d form your own opinions on what might happen during the
season. Trust me: I had them, too. But creators Chris Fedak and Sam Sklaver know
what you’re thinking and deliver something different. It’s nice to say that
some of the questions are resolved while others just make you anticipate season
2 that much more.
The Verdict
I thoroughly enjoyed season 1 of PRODIGAL SON and would
certainly recommend. I know I’m eagerly waiting for season 2.
Subscribe to:
Posts (Atom)