THE BLACK FALCON is not only the fourth Shadow novel I’ve read in 2018 but my fourth one overall. And, to date, it might be my favorite for all the action, mystery, and zeal of the storytelling.
As the story opens, Rowdy Kershing is at a poker game amongst his criminal brethren. When he loses his winnings, he needs to buy more chips. He does so with a fat wad of money he makes sure all around him see. What he hides is the presence of a falcon’s feather, dyed black. For Rowdy has been assigned a task: recruit some “gorillas” to be of service to the super criminal, The Black Falcon, who has already kidnapped one millionaire and taunts the police that he’ll do it again.
But as gruff a talker as Rowdy is, he pales when the Knight of Darkness enters the room. They all do. Action ensues and Rowdy squeals like a rat.
The next set piece is the preparations the police deployed to protect Elias Carthers, the next millionaire on The Black Falcon’s list. This is a great action sequence mainly for how it plays out and the clues it reveals. I know that in the Golden Age of Detective Fiction, authors frequently left clues for the readers to draw their own conclusions. Pulp fiction was not too known for that, but the clues in this sequence are plain to see.
It is after these scenes where The Shadow, in disguise as millionaire Lamont Cranston, takes action not in Shadow garb. Again, I’m too new at reading these stories to know if this is normal or special, but I’m guessing it’s likely normal, seeing as how The Shadow inserts himself as Cranston into the action.
And by poking his nose into the action gets Cranston in hot water. You see, he’s a millionaire and he walks directly into the clutches of The Black Falcon. From here to the end, the action is fantastic, the revelations are eye-opening, and the ending is outstanding in a “how will he get out of this” manner.
Perhaps the reason I like this one so much is the similarities to the villains of Batman. The Joker or The Riddler rarely commit their crimes without letting everyone know ahead of time, and The Black Falcon is right in that wheelhouse. Surprisingly, the Falcon makes some deductions of his own, and that got me to worrying for The Shadow’s safety. This novel is from February 1934 so I needn’t have worried. There was still going to be another fifteen years of stories, but still.
At one point, The Shadow reveals his true face to another character…and author Walter Gibson doesn’t describe the face! He only describes the reactions of the other character. I found that simultaneously great and frustrating. Who really is The Shadow? And what must his visage look like to bring such dread?
Of the new productions by Audible, THE BLACK FALCON is not a full-cast recording but a single narrator. Thankfully, it’s the same narrator as the full-cast versions so there is continuity.
For those of y’all who have never read a Shadow novel, here is a good one with which to start. It’s got all the pieces in place for a rip-roaring pulp adventure tale.
Partners in Peril
The Shadow Unmasks
The Romanoff Jewels
Showing posts with label Maxwell Grant. Show all posts
Showing posts with label Maxwell Grant. Show all posts
Saturday, February 24, 2018
Thursday, February 22, 2018
The Shadow: The Romanoff Jewels
In the third Shadow novel I’ve read (actually heard; thanks Audible!), THE ROMANOFF JEWELS begins in the apartment full of wealthy men. Author Maxwell Grant (Walter Gibson) tells the reader who they are and why they’re there. One of those men is Lamont Cranston, otherwise known as…The Shadow.
Another one of those gentlemen is Marcus Holtmann. Unpretentious, Holtmann has a secret buried deep in his brain, a secret other men desperately want. You see, a friend of Holtmann’s casually let slip the hiding place of the Romanoff jewels, the very jewels seized by the Bolsheviks in 1917 when they overthrew—and murdered—Czar Nicholas II and his family. Priceless in value, nefarious men want to steal the jewels and return the czars to power. To bring out his knowledge, Holtmann is kidnapped and tortured by the insidious Michael Senov for the information.
Naturally the Shadow deduces Holtmann’s whereabouts and does his best to save the man’s life. But he was a few minutes too late. Holtmann was poisoned! With his dying breaths, Holtmann relates to The Shadow all that he divulged to Senov. Armed with that knowledge, The Shadow races across the Atlantic to thwart the attempt.
I won’t give away the ending here, but I’ll just say that a piece of information The Shadow relates I didn’t see coming…but it makes all the sense in the world.
This being only my third Shadow novel, I don’t know how prevalent it was for the Knight of Darkness to travel outside the confines of New York or even America, but I appreciated how, to the European adversaries he encountered, The Shadow was a complete unknown. At least the gangsters in The Big Apple are smart enough about The Shadow to be scared. In addition, I liked how The Shadow got injured at one point, so badly that he needed to be nursed back to health, once again proving he is simply a man.
Which leads to a question I hope long-time fans of The Shadow can answer: is there ever a novel in which author Walter Gibson relates The Shadow’s training?
I’m not sure what criteria Audible used to choose which Shadow novels they produced, but I think him traveling abroad might be high on the list. Or the great ending. PARTNERS IN PERIL is a good one because of how it was used in the first Batman story. THE SHADOW UNMASKS was a natural choice that The Shadow’s origin was reveal. THE ROMANOFF JEWELS not only had foreign travel but the revelation of a key aspect of The Shadow’s legacy.
I am thoroughly enjoying these books. Next up: THE BLACK FALCON.
Another one of those gentlemen is Marcus Holtmann. Unpretentious, Holtmann has a secret buried deep in his brain, a secret other men desperately want. You see, a friend of Holtmann’s casually let slip the hiding place of the Romanoff jewels, the very jewels seized by the Bolsheviks in 1917 when they overthrew—and murdered—Czar Nicholas II and his family. Priceless in value, nefarious men want to steal the jewels and return the czars to power. To bring out his knowledge, Holtmann is kidnapped and tortured by the insidious Michael Senov for the information.
Naturally the Shadow deduces Holtmann’s whereabouts and does his best to save the man’s life. But he was a few minutes too late. Holtmann was poisoned! With his dying breaths, Holtmann relates to The Shadow all that he divulged to Senov. Armed with that knowledge, The Shadow races across the Atlantic to thwart the attempt.
I won’t give away the ending here, but I’ll just say that a piece of information The Shadow relates I didn’t see coming…but it makes all the sense in the world.
This being only my third Shadow novel, I don’t know how prevalent it was for the Knight of Darkness to travel outside the confines of New York or even America, but I appreciated how, to the European adversaries he encountered, The Shadow was a complete unknown. At least the gangsters in The Big Apple are smart enough about The Shadow to be scared. In addition, I liked how The Shadow got injured at one point, so badly that he needed to be nursed back to health, once again proving he is simply a man.
Which leads to a question I hope long-time fans of The Shadow can answer: is there ever a novel in which author Walter Gibson relates The Shadow’s training?
I’m not sure what criteria Audible used to choose which Shadow novels they produced, but I think him traveling abroad might be high on the list. Or the great ending. PARTNERS IN PERIL is a good one because of how it was used in the first Batman story. THE SHADOW UNMASKS was a natural choice that The Shadow’s origin was reveal. THE ROMANOFF JEWELS not only had foreign travel but the revelation of a key aspect of The Shadow’s legacy.
I am thoroughly enjoying these books. Next up: THE BLACK FALCON.
Thursday, February 1, 2018
The Shadow: The Shadow Unmasks
Hot on the heels of my first Shadow novel, PARTNERS IN PERIL, I have now read my second, THE SHADOW UNMASKS. And I loved it just as much.
In order to kick start my Shadow experience, I decided to listen to the new productions at Audible Studios. They feature a main narrator and multiple voice actors for the cast. Both I’ve heard are fantastic and recommended. As a result, however, I’m reading these Shadow novels out of order, which means what I learned in UNMASKS surprised me.
Up until now, I’ve always thought The Shadow was, in fact, Lamont Cranston. If my memory serves me, that simple one-to-one equation was on the radio shows and it certainly was on the Alec Baldwin movie. As I started in with UNMASKS, I was expecting the same, and it started out that way until the story took an interesting turn.
The main plot of UNMASKS involves a crook named Shark Meglo (great name!). He and his gang have a straightforward plan: find, attack, and kill the buyers of some rare and valuable gems before the buyer can utter the name of the seller. For you see, the master crook behind the entire operation recycles the gems in new settings. Every three weeks or so a new member of the wealthy class dies. All of them had recently purchased gems.
Naturally, the story begins with the most recent murder. The Shadow tries to thwart Shark’s evil plans…but fails. He learns vital clues to what’s going on, however, information needed to prevent the next death. But a distant accident lands on the front pages of New York’s newspapers. A plane accident in England injured a few Americans. The story not only listed the names of the individuals but splashes their photos. There, for all to see, is the real Lamont Cranston. The problem is, especially if you are police commissioner Ralph Weston, who reads the newspaper standing outside the Cobalt Club, is that you are literally talking to Lamont Cranston. Only it’s The Shadow in his disguise. There follows a fun subterfuge as the Agents of The Shadow basically try and convince Weston that he didn’t really see Lamont Cranston but Cranston’s nephew. And the commissioner bought it.
The odd turn the story took for me was when Kent Allard, famed aviator who crashed in the Guatemalan jungle a dozen years ago, has made a reappearance. He arrives in New York to great fanfare and very quickly, we learn Allard is really The Shadow. And, lest anyone (me included) wasn’t hip on how it all shook down back then, The Shadow visits the house of an old ally, Slade Farrow (another great name!) and reveals his true identity, complete with the entire background. The reasoning is spot on—The Shadow uses the identity of Cranston as long as Cranston stays out of New York—but I couldn’t help wondering how many times in this series and, of course, the comic book masked heroes, that the characters revealed their identity to others. It also makes me wonder if, after this August 1937 issue (number 131 overall) if Lamont Cranston was ever used again. Long-time readers of The Shadow: please let me know.
Anyway, after that startling revelation, the story continued until the inevitable end. Two things struck me about this ending. One, the big finale was somewhat low key. I guess you can’t have every novel end in a big shoot-out or something. The second thing was that The Shadow is very much like Sherlock Holmes in that he knows the likely ending far in advance and just moves the various chess pieces along the way, usually with his agents none the wiser.
I’ve now read two Shadow novels and I’m not gonna stop now. They are a blast. And, as a lifelong Batman fan, I’m really fascinated to research more in depth how Bill Finger drew on his love of The Shadow and helped shape the Dark Knight Detective.
So, fellow Shadow fans, where does this story rank in the all-time list?
In order to kick start my Shadow experience, I decided to listen to the new productions at Audible Studios. They feature a main narrator and multiple voice actors for the cast. Both I’ve heard are fantastic and recommended. As a result, however, I’m reading these Shadow novels out of order, which means what I learned in UNMASKS surprised me.
Up until now, I’ve always thought The Shadow was, in fact, Lamont Cranston. If my memory serves me, that simple one-to-one equation was on the radio shows and it certainly was on the Alec Baldwin movie. As I started in with UNMASKS, I was expecting the same, and it started out that way until the story took an interesting turn.
The main plot of UNMASKS involves a crook named Shark Meglo (great name!). He and his gang have a straightforward plan: find, attack, and kill the buyers of some rare and valuable gems before the buyer can utter the name of the seller. For you see, the master crook behind the entire operation recycles the gems in new settings. Every three weeks or so a new member of the wealthy class dies. All of them had recently purchased gems.
Naturally, the story begins with the most recent murder. The Shadow tries to thwart Shark’s evil plans…but fails. He learns vital clues to what’s going on, however, information needed to prevent the next death. But a distant accident lands on the front pages of New York’s newspapers. A plane accident in England injured a few Americans. The story not only listed the names of the individuals but splashes their photos. There, for all to see, is the real Lamont Cranston. The problem is, especially if you are police commissioner Ralph Weston, who reads the newspaper standing outside the Cobalt Club, is that you are literally talking to Lamont Cranston. Only it’s The Shadow in his disguise. There follows a fun subterfuge as the Agents of The Shadow basically try and convince Weston that he didn’t really see Lamont Cranston but Cranston’s nephew. And the commissioner bought it.
The odd turn the story took for me was when Kent Allard, famed aviator who crashed in the Guatemalan jungle a dozen years ago, has made a reappearance. He arrives in New York to great fanfare and very quickly, we learn Allard is really The Shadow. And, lest anyone (me included) wasn’t hip on how it all shook down back then, The Shadow visits the house of an old ally, Slade Farrow (another great name!) and reveals his true identity, complete with the entire background. The reasoning is spot on—The Shadow uses the identity of Cranston as long as Cranston stays out of New York—but I couldn’t help wondering how many times in this series and, of course, the comic book masked heroes, that the characters revealed their identity to others. It also makes me wonder if, after this August 1937 issue (number 131 overall) if Lamont Cranston was ever used again. Long-time readers of The Shadow: please let me know.
Anyway, after that startling revelation, the story continued until the inevitable end. Two things struck me about this ending. One, the big finale was somewhat low key. I guess you can’t have every novel end in a big shoot-out or something. The second thing was that The Shadow is very much like Sherlock Holmes in that he knows the likely ending far in advance and just moves the various chess pieces along the way, usually with his agents none the wiser.
I’ve now read two Shadow novels and I’m not gonna stop now. They are a blast. And, as a lifelong Batman fan, I’m really fascinated to research more in depth how Bill Finger drew on his love of The Shadow and helped shape the Dark Knight Detective.
So, fellow Shadow fans, where does this story rank in the all-time list?
Tuesday, January 16, 2018
The Shadow: Partners in Peril
Well, it took a while, but I finally read my first Shadow novel.*
I think like most of us, I’ve known about The Shadow for a long time. I first discovered him back in the late 70s when my parents purchased some old-time radio episodes on cassette to listen to on vacations. Ten years later, some of those episodes were broadcast on local Houston AM radio on Sunday nights and I’d listen to them as I returned back to college in Austin. And I’d even began collecting the wonderful reprints by Vintage Library to say nothing of some of the comic adaptations. Actually, up until now, the only time I’d encountered The Shadow in print was the two times he guest-starred in Batman comics (my reviews here and here).
Interestingly, it was because of Batman that I first wanted to read PARTNERS IN PERIL. The good folks a Vintage packaged PARTNERS along with LINGO and commissioned a couple of article about how PARTNERS and The Shadow influenced Bill Finger and Bob Kane to create Batman. The historian in me always gravitated to the historical commentary before I read the stories, and this collection is fantastic with not only historical commentary by Will Murray and Anthony Tollin but an introduction by Jerry Robinson, co-creator of Robin and the Joker. But today, the focus is on this November 1936 story.
Reed Harrington calls the police with a desperate situation: he’s been marked for death at midnight. For over a week, Harrington has tried to evade the mysterious caller, but every time, the mystery man finds him. With no one else to turn to, Harrington asks the police for help. Detective Joe Cardona is assigned the case and he’s there in the room when Harrington receives a call just before midnight…and falls dead! In short order, Arnold King arrives at the dead man’s apartment with the same incredible story. What links these two men? Well, they both were former partners of the Milcote Chemical Corporation. Armed with police protection, King holes up and waits…until he, too, falls dead. King dies of electrocution; Harrington of poison.
Enter: The Shadow. He directs his agents to discover the identity of other partners of the company and land on three: Simon Todd, Thomas Porter and his son, Ray. But what complicates the mystery is that Harrington, King, and the two Porters all are former partners of the chemical company. Who would want them dead? Perhaps it is sinister agents of a foreign power out to discover the secret formula for the new chemical weapon created for the United States to use in the next war. Perhaps it’s something else, but you know before you even read the first word that The Shadow will emerge triumphant.
THOUGHTS
First of all, I really enjoyed this story. I liked how the action played fairly quick and straight. I have since learned that the author of PARTNERS wasn’t Walter Gibson but Theodore Tinsley. In fact, PARTNERS is Tinsley’s first Shadow novel. I read he studied Gibson’s writing style and aimed to achieve a certain verisimilitude with the prose. Today, I can’t say if he did, but the prose flowed well. An aspect of the writing that was likely a product of the times was the omniscient narrator where you rarely got into the characters heads, much less The Shadow. That was likely intentional because Tinsley has us readers (and certain characters) witnessing a thing only to reveal later that The Shadow had already performed a different task. It was very much like the movie serials of the time.
Speaking of The Shadow himself, I enjoyed his disguises and his ability to blend into his surroundings. He appeared both as a young and old workman and Tinsley treated us readers to a classic sly wink as the disguised hero vacated a scene just as another character paused and frowned in odd recognition. A surprising aspect of The Shadow’s character was when he constantly seemed to be five steps ahead of events. Like Sherlock Holmes who knew, for example, the villain in the The Hound of the Baskervilles before he even left London yet sent Watson on errands anyway. The Shadow did the same thing with his team which consisted of Burbank, a man who communicated the plans to other agents, reporter Clyde Burke, and Harry Vincent, who acts as The Shadow’s second-hand man. Ironically, just like Doc Savage’s compadres, Vincent gets himself in trouble and The Shadow has to rescue him, but Vincent proves an able partner.
I listened to PARTNERS from a new all-cast recording up on Audible. It was fantastic and I got a definite old-time radio vibe. There were no sound effects, but there was soft jazz music at the end of each chapter. A funny aspect of the narrator was his slight pause every time “The Shadow” was mentioned in prose. Another note on the recording: they edited out much of the attribution. Since I had the hard copy and there was a particularly great action sequence, I marked it to re-read and study. It was then, while the audio was playing in my ears, that I noticed they were leaving out some words. As an avid audiobook listener, I wish other productions would do the same thing.
I thoroughly enjoyed PARTNERS IN PERIL and I’ll be quickly moving on to more Shadow novels. THE SHADOW UNMASKS is the only other full-cast recording while THE VOODOO MASTER and THE BLACK FALCON are narrated traditionally.
*P.S. In 2018, I’m reading mindfully and part of that is to read more of what I already own. Ironic timing, then, when I open up the hard copy to mark the passage I mentioned above only to find the receipt. I checked the date: 14 January 2009. I finished PARTNERS on 14 January 2018. Nice serendipity.
I think like most of us, I’ve known about The Shadow for a long time. I first discovered him back in the late 70s when my parents purchased some old-time radio episodes on cassette to listen to on vacations. Ten years later, some of those episodes were broadcast on local Houston AM radio on Sunday nights and I’d listen to them as I returned back to college in Austin. And I’d even began collecting the wonderful reprints by Vintage Library to say nothing of some of the comic adaptations. Actually, up until now, the only time I’d encountered The Shadow in print was the two times he guest-starred in Batman comics (my reviews here and here).
Interestingly, it was because of Batman that I first wanted to read PARTNERS IN PERIL. The good folks a Vintage packaged PARTNERS along with LINGO and commissioned a couple of article about how PARTNERS and The Shadow influenced Bill Finger and Bob Kane to create Batman. The historian in me always gravitated to the historical commentary before I read the stories, and this collection is fantastic with not only historical commentary by Will Murray and Anthony Tollin but an introduction by Jerry Robinson, co-creator of Robin and the Joker. But today, the focus is on this November 1936 story.
Reed Harrington calls the police with a desperate situation: he’s been marked for death at midnight. For over a week, Harrington has tried to evade the mysterious caller, but every time, the mystery man finds him. With no one else to turn to, Harrington asks the police for help. Detective Joe Cardona is assigned the case and he’s there in the room when Harrington receives a call just before midnight…and falls dead! In short order, Arnold King arrives at the dead man’s apartment with the same incredible story. What links these two men? Well, they both were former partners of the Milcote Chemical Corporation. Armed with police protection, King holes up and waits…until he, too, falls dead. King dies of electrocution; Harrington of poison.
Enter: The Shadow. He directs his agents to discover the identity of other partners of the company and land on three: Simon Todd, Thomas Porter and his son, Ray. But what complicates the mystery is that Harrington, King, and the two Porters all are former partners of the chemical company. Who would want them dead? Perhaps it is sinister agents of a foreign power out to discover the secret formula for the new chemical weapon created for the United States to use in the next war. Perhaps it’s something else, but you know before you even read the first word that The Shadow will emerge triumphant.
THOUGHTS
First of all, I really enjoyed this story. I liked how the action played fairly quick and straight. I have since learned that the author of PARTNERS wasn’t Walter Gibson but Theodore Tinsley. In fact, PARTNERS is Tinsley’s first Shadow novel. I read he studied Gibson’s writing style and aimed to achieve a certain verisimilitude with the prose. Today, I can’t say if he did, but the prose flowed well. An aspect of the writing that was likely a product of the times was the omniscient narrator where you rarely got into the characters heads, much less The Shadow. That was likely intentional because Tinsley has us readers (and certain characters) witnessing a thing only to reveal later that The Shadow had already performed a different task. It was very much like the movie serials of the time.
Speaking of The Shadow himself, I enjoyed his disguises and his ability to blend into his surroundings. He appeared both as a young and old workman and Tinsley treated us readers to a classic sly wink as the disguised hero vacated a scene just as another character paused and frowned in odd recognition. A surprising aspect of The Shadow’s character was when he constantly seemed to be five steps ahead of events. Like Sherlock Holmes who knew, for example, the villain in the The Hound of the Baskervilles before he even left London yet sent Watson on errands anyway. The Shadow did the same thing with his team which consisted of Burbank, a man who communicated the plans to other agents, reporter Clyde Burke, and Harry Vincent, who acts as The Shadow’s second-hand man. Ironically, just like Doc Savage’s compadres, Vincent gets himself in trouble and The Shadow has to rescue him, but Vincent proves an able partner.
I listened to PARTNERS from a new all-cast recording up on Audible. It was fantastic and I got a definite old-time radio vibe. There were no sound effects, but there was soft jazz music at the end of each chapter. A funny aspect of the narrator was his slight pause every time “The Shadow” was mentioned in prose. Another note on the recording: they edited out much of the attribution. Since I had the hard copy and there was a particularly great action sequence, I marked it to re-read and study. It was then, while the audio was playing in my ears, that I noticed they were leaving out some words. As an avid audiobook listener, I wish other productions would do the same thing.
I thoroughly enjoyed PARTNERS IN PERIL and I’ll be quickly moving on to more Shadow novels. THE SHADOW UNMASKS is the only other full-cast recording while THE VOODOO MASTER and THE BLACK FALCON are narrated traditionally.
*P.S. In 2018, I’m reading mindfully and part of that is to read more of what I already own. Ironic timing, then, when I open up the hard copy to mark the passage I mentioned above only to find the receipt. I checked the date: 14 January 2009. I finished PARTNERS on 14 January 2018. Nice serendipity.
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