Showing posts with label Brad Meltzer. Show all posts
Showing posts with label Brad Meltzer. Show all posts

Tuesday, March 29, 2022

The Lightning Rod by Brad Meltzer

If it’s spring, then it’s time for another Brad Meltzer book.

For the past few years, a new Meltzer book—either fiction or non-fiction—is published. After a two-book non-fiction detour—The First Conspiracy (about George Washington) and The Lincoln Conspiracy—Meltzer returns to the heroes from The Escape Artist.

In the intervening years, Meltzer allowed both Jim “Zig” Zigarowski, a mortician who left his job at Dover Air Force Base, and Nola Brown, the US Army’s painter-in-residence, to age and move froward after the events from that previous book. Zig is now in a private mortuary, mostly happy to have left his old life behind. That is, until he receives word that “one of our own,” Archie Mint, has been murdered in his car, parked in his own driveway.

Now, we readers know what happened because Meltzer showed us in the opening scene. But there is more than meets the eye. In fact, by the time you reach the end of the book, you might be compelled to re-read chapter 1. I’m just saying.

Nola, meanwhile, has gone off the grid. She, too, is pulled into the case of the death of Mint, but for different reasons. Because everything is not like it appears (natch: it’s a thriller). Mint has been hiding things, things that his family discovered after his death.

To make matters even more interesting, Nola’s long lost brother is now looking for her. Graduates of the foster program, they were separated in their early teen years and now Roddy wants to reconnect. But for good, or for ill?

All of these elements—and an interesting sub-plot for Zig—are thrown together on a roller coaster and Meltzer sends the reader careening.

Now, as with all Meltzer books I’ve consumed, I listened to the audiobook by Narrator Supreme, Scott Brick. And, as always, I love his narration style, the way he can make the most basic of descriptions sound even more interesting than Meltzer’s actual words. He always puts just the right amount of sarcasm, shock, boredom, or whatever kind of emotion the character is feeling or saying. Scott Brick could read the phone book and I’d probably buy a copy and listen.

The construction of this book is Thriller 101. I don’t mean than in a bad way at all. Seltzer is an accomplished commercial writer and he knows how to craft and pace a modern thriller. Just because I could see all the architecture of the story detracted not at all from its enjoyment.

And that sub-plot Meltzer throws at Zig? I think it’s a great example of how the smallest, most human of feelings can rise up whenever and wreck havoc on a person’s life, even when that person is in the middle of an exciting investigation.

I could use some sort of hyperbolic imperative to compel you to read this book, but I don’t really have to. It’s a Brad Meltzer thriller, narrated by Scott Brick. It’s a win-win. That’s all you need to know.  


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@Barrie Summy

Wednesday, June 17, 2020

History Comes Alive With The Lincoln Conspiracy

There's a moment in The Lincoln Conspiracy: The Secret Plot to Killed America's 16th President - and Why It Failed where the President-elect hears dire warnings from two independent sources that his life is in danger and he takes action. He agrees to sneak out of a pre-Inauguration Day party in Harrisburg, Pennsylvania, don a disguise, and be whisked away by train, all in an effort to thwart the plot to kill him in Baltimore. That moment consists of me breathlessly wondering: Is he gonna make it?

It's been 155 years since his death. There's a giant statue of President Lincoln in Washington, He's on the penny. He's one of the most famous Americans of all time. He might be recognized in nearly every corner of the world here in 2020. Of course he makes it.

But that's the testament to the writing skill of Brad Meltzer and Josh Mensch: they weave the story and the details in such a way as to make history read like a thriller. And dang if this story won't thrill you.

We all know Lincoln's ultimate fate on Good Friday, 1865, but few know of the first plot to kill him before he even took office. I'll admit I learned about it back in grad school at the University of North Texas but it was only in passing. I knew it was foiled and that private detective Allan Pinkerton played a key role. But I never knew the details that fill over 350 pages in this remarkable book.

Much like they did with The First Conspiracy: The Secret Plot to Kill George Washington (2019), Meltzer and Mensch dig deep into the details of this 1861 plan hatched by a cabal of Southern loyalists. They didn't want the president-elect—who carried no slave-holding states in the recent election—to take his place in the White House. At the time, the Republican Party was against the institution of slavery even if Lincoln himself tried to steer a narrow line between free and slave.

Following a tradition dating back to America's first president, Lincoln traveled from his home in Springville, Illinois, to Washington, D.C., in the weeks leading up to his inauguration. Two things gave the Southerners fuel for their plot: Lincoln's itinerary was published in many papers and the rail-splitter from the west would have to change trains in Baltimore. What made this transfer problematic was not only was Maryland a slave state, but the transfer wasn't merely changing trains in a single station. No, this change from one rail line to another involved literally moving a train car about a mile from one station to the next. In that time, with the expected throngs of Southern sympathizers clogging the streets, the president-elect's life would be in jeopardy.

Hired by one of the railroad men to protect threats against the railroad, Pinkerton and one of his agents, Kate Warne, uncovered the real plot. It was then Pinkerton urged Lincoln to change his plans. The new president demurred until a fateful night when word of the plot arrived from his recent rival and future Secretary of State, William Seward. Convinced of the threat, Lincoln finally allowed himself to be disguised and sneak into the nation's capital under the cover of darkness.

Like they did with their Washington book, Meltzer and Mensch write their prose in the present tense. It gives the story an immediacy, a will-he or won't-he vibe that's pretty darn exciting. Often, they'll recount a scene and then cut to a contemporary scene in another part of the country. You really get a bird's eye view of the whole situation.

If you are a fan of audiobook, preeminent narrator, Scott Brick, reads the book. He could read the phonebook and I'd pay to hear it. He narrates everything he does so well, and I especially like the timbre of his voice as he reaches the end of the book and reads the last lines from Meltzer and Mensch.

History isn't just names and dates, laws and wars, pop culture and events. It is people, real people, living their lives and making decisions based on the best knowledge they have at any given time. Some decisions are momentous: the outcome of the 1861 election, the secession of the Southern states, the foiled assassination in 1861 and the successful one four years later. This book peels away some of the veneer Lincoln now lives with in the American imagination in the 155 years since his death, showing us a real guy, beset by personal and national tragedy, who is doing the best he can. Ditto for Pinkerton, Warne, and the Southerners.

Books like these breathe life into history, and as a historian, we need more books like this so folks in the 21st Century can be entertained and learn a little something along the way.

Highly recommended.

Wednesday, February 6, 2019

History in the Present Tense: THE FIRST CONSPIRACY by Brad Meltzer and Josh Mensch

Never forget: We know what happened. We know how the story ends. We’re living in the story today. Yet there are stretches in THE FIRST CONSPIRACY: THE SECRET PLOT TO KILL GEORGE WASHINGTON when you breathlessly await the next chapter, wondering if the general of the American army in the Revolution will live or suffer a more dire fate.

That’s the beauty of this book by thriller and comic book writer, Brad Meltzer, and his co-author, Josh Mensch. Meltzer and Mensch weave together the various plot threads in such a way you are sucked in from the first page and the story never lets go. It is paced and structured like a thriller, with short chapters, but there is one crucial thing they did that brought this story to life.

The words, the entire book, were written in the present tense.

I listened to the audiobook, narrated by the brilliant Scott Brick, and it took me a minute or so before I realized the prose was not changing. As a historian, I’m used to reading and writing about history all in the past tense because, well, it all happened in the past. It’s over. It’s done. But with this one stylistic choice, Meltzer and Mensch take you on a journey into a little-know pocket of American history. I hold two degrees in history and even I barely knew this tale.

In the spring and summer of 1776, the Revolution is still not quite that. The Declaration of Independence isn’t even written yet. Its author, Thomas Jefferson, doesn’t even step foot onto the stage of this book until close to the end. The person on the main stage is the man in the sub-title, America’s first president, George Washington. But when we see him at first, he’s still only a general of the Continental Army, the literal ragtag group of soldiers from far and wide, who were poorly trained, poorly equipped, poorly paid, and poorly fed. It was Washington’s job to lead them, to bring them together into a semblance of a fighting force, to stand toe-to-toe with the largest and best trained military force in the world at that time, the British Army.

We stood no chance.

And thus is one of Meltzer and Mensch’s gifts. They reveal the ground level nature of what it was like to be Washington, some of his officers, and the various people in and around New York City who were involved in this conspiracy. The authors describe the smell, the food, the paranoia about who was a Loyalist and who was a Patriot. All the while, there is a great presence approaching: the British navy. Everyone knows the British are coming to New York. The only question is when are they going to get there.

Like any good story, the hero needs a villain. Here, it is Royal Governor William Tryon. The historical record seems to show it is Tryon, who flees the city and takes up residence on a British warship anchored on the river who hatches the plot to kill Washington. Not only that, the governor recruits spies to recruit additional colonists to turn on their fellows and fight on the side of the crown. Some of those recruits are part of the Continental Army.

In addition, Tryon’s plan is scheduled to launch just as the masts of the British Navy appear on the horizon.

You see? Sometimes history really is just as good as an action/adventure novel by Clive Cussler or the latest summer popcorn movie.

That, my friends, is exactly the point of THE FIRST CONSPIRACY. Meltzer loves stories. His thrillers like last year’s THE ESCAPE ARTIST proves it. So does his series featuring the Culper Ring. But sometimes, the truth is more exciting than fiction, especially when it comes to our own American story.

I was in graduate school when David McCullough’s TRUMAN biography was published. It was a bestseller. I read it and it’s utterly engrossing. But that book read like a novel, and some students and faculty seemed to dismiss the book as popular history.

What’s the problem with that? You want Americans to learn about history, why not make it more accessible? Why not write a book detailing something so extraordinary like this conspiracy to kidnap or kill George Washington in a manner folks will actually enjoy reading?

For that’s what Meltzer and Mensch have done. They have taken a small fragment of the life of one man and put it under the microscope and examined it from every angle. Along the way, you learn just how tenuous America’s struggle for independence truly was. It wasn’t the foregone conclusion we think of it today. It was harder than we could possibly imagine. And if it wasn’t for George Washington and what he did back in 1776 when he discovered the truth about the conspiracy against his life, then the world would be a very different place.

THE FIRST CONSPIRACY does all of that in a remarkable book that has my highest recommendation.

For other books in Barrie Summy's Book Review Club, click the icon.


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@Barrie Summy

Saturday, September 15, 2018

Let Your Creativity Shine: The Inspiring Message of Brad Meltzer

Sometimes, a guy is exactly who he seems to be.

I’ve enjoyed Brad Meltzer’s work as a comic book writer and as the author of adult thrillers. His blend of history and exciting, page-turning books is right up my alley. His latest novel, THE ESCAPE ARTIST, is one of my favorite books of the year and has one of the best hooks I've ever read. Here’s my review. Meltzer is also a fantastic interviewee, especially when he deep dives into the stuff he loves. I wrote about one particular interview back in 2015.

This past Thursday, I finally got to meet Meltzer when came to Houston (at Katy’s Books-a-Million) to promote his latest book, I AM NEIL ARMSTRONG.

It is the latest entry in his series of children’s books featuring heroes from history from which we can learn. The genesis of the ongoing project was to remind his own children who were the real heroes. They were ordinary men and women who sought truth, justice, and to achieve something never before accomplished. Here’s one of the quotes from his website: ““These aren't the stories of famous people. This is what we're all capable of on our very best days.”

It is an admirable goal. It is also one that seems to be seeping through. There were something like eighteen kids there. Most held a copy of one of Meltzer’s books in their hands, and not just the Neil Armstrong book. A few had written him letters or drawn him pictures. All because of the stories he told in his books and were illustrated by Christopher Eliopoulos.

Speaking as a Houstonian, I’m very glad Eliopoulos captured the moment when President Kennedy declared the moon as the ultimate goal of the 1960s. You see the background? That’s Houston’s Rice Stadium.

In his his 30-minute talk, Meltzer talked about the genesis of selecting Neil Armstrong. I appreciated his history talk, especially the comment about heroes. In the Depression, when all looked bleak, Superman burst onto the scene. In the months after 9/11, the first Spider-Man movie arrived. I wore my Aquaman shirt (and stood next to a dad wearing a Flash t-shirt) so we had a little of the Justice League present and accounted for.

But heroes don’t always wear capes and tights. Heroes are like Armstrong who did something no other man had ever done. Heroes are Jackie Robinson and Lucille Ball, people who also accomplished things for the first time. And Meltzer—always cognizant of the children sitting on the floor right in front of him—kept reminding them that they could write their own story, be the heroes of their own stories, and make the world a better place. In fact, he uttered a sentence so inspiring I took out my notebook and wrote it down:

“You can use your creativity to put good in the world.”

Frankly, it made me want to get home as soon as possible and work on my stories.

After the talk, we all got back in line and waited for a chance to meet the author, get him to sign anything we brought, and snap a photo with him. The kids went first, of course, and Meltzer treated each one of them like they were the only kid in the store. Actually he did that for everyone, adult and child alike.

In the meantime, I struck up a conversation with some of the folks standing in line around me. All were women, and all were avid readers. We pointed at some of the books lining the shelves and talking about them. We talked about audiobooks. We talked about ereaders like the Kindle (I was the outlier). But there was a funny moment when one of the ladies asked the deadly serious question: do you bend down the corners of pages. Like a rousing chorus, all of them said no. It was so good to stand and chat about books with avid readers. I discussed my books, but like a dunce, I didn’t have any of my business cards with me. [Shakes head] But I got to meet Meltzer, let him know how much I enjoyed his thrillers, his comics, and how glad I am that Scott Brick—my favorite audiobook reader—is the narrator of his adult books.

Let me circle around back to the quote I captured: “You can use your creativity to put good in the world.” Think about that today. Then follow through.

Best News of the Week
Here at the Parker house, we got great news this week. My wife, Vanessa—jewelry artist extraordinaire!—is featured in HoustonVoyage Magazine. Here’s the link with her interview and some spectacular photos of her work. Need a hint at how good her work is? Here you go.

Tuesday, March 20, 2018

A Thriller with a Historical Twist: The Escape Artist by Brad Meltzer

Sometimes, a little known fact in history can spark an entire story.

THE ESCAPE ARTIST is the latest novel by Meltzer, a man who has a healthy respect, understanding, and love of history. If you haven’t read any of his books, you might know him from his TV shows “Decoded” and “Lost History.” He first came onto my radar when he wrote “Identity Crisis” for DC Comics, a graphic novel that shows actual death in the DC Universe and how it affects the characters. The ending of that story reverberated through the comics for years after, and it’s still unnerving. I read his Culper Ring Series featuring Beecher White, an archivist at the National Archives. Any author who can make an archivist a hero is a good writer. I earned two degrees in history and while I may have soured on the political aspects of being a professional historian, I still retain the passion. It’s a passion Meltzer shares and it’s why I enjoy his novels. And don’t’ even get me started on his awesome series of kids’ books focusing on heroes for his son and his daughter.

In the weeks leading up to the book’s release, Meltzer’s excitement for THE ESCAPE ARTIST was palpable. His social media and his newsletter was filled with anticipation that we would soon meet Nola Brown. She is one of the two protagonists in the new book. Taking a page from lost history, Meltzer made Nola the official painter of the US military. Ever since World War I, the military have hired a painter to capture things a photograph cannot: the anguish of war and what it really means. She doesn’t show up for a little while in the book, but her presence does.

The opening chapter shows a military plane taking off from somewhere in Alaska. Soon thereafter, it crashes, but not before the unnamed female character has a chance  to write a last message. The message is received by the other protagonist, Jim “Zig” Zigarowski, a mortician who works at Dover Air Force Base. This base is where all our fallen soldiers arrive after they die in service to our country. Zig and the other morticians help to give families closure by fixing up the dead. When the name “Nola Brown” comes across the big board, Zig personally takes it upon himself to work on her corpse. You see, Nola helped saved the life of Zig’s daughter back when they were Girl Scouts. It doesn’t matter that his daughter died a year after that; Nola gave Zig the extra time, and for that, he’ll pay the debt. But the woman identified as Nola Brown is, in fact, not Nola at all. Zig would know because of a particular physical mark on the real Nola. This unidentified woman’s identity is specifically being targeted so as to wipe away Nola’s existence. What gives Zig even more pause is the note he finds in the most unlikely of places: on a piece of paper in the dead woman’s stomach.  You see, if a person wanted to pass along a message in the seconds before a disaster strikes (like a plane crash), the person can write a note and swallow it. The stomach acids will preserve the paper and the message. It happened in real life on 9/11with one of the people on the plane that crashed into the Pentagon. Meltzer took that unknown piece of history and wove it into a spectacular story.

The narrative is divided into two main POVs: that of Zig and Nola. Often, we get “This is Nola at age sixteen” or “This is Nola at age ten” segments where a particular moment of his life is revealed, giving us a greater understanding of what makes her tick. I listened to the audio with my favorite narrator, Scott Brick, is teamed up with January LaVoy who reads Nola’s parts. The combination is fantastic.

As is the story. There are too many layers to note here without spoiling the fun of this book. In January, I discovered THE SHADOW novels from the 1930s and thoroughly devoured all that were available on Audible. Now, I’ve moved on to the reprints in my library. In breathless prose, Meltzer’s writing is clean and precise as always, delivering a bonanza of excitement that would have been right at home in the heyday of pulp fiction, with a heroine who can stand alongside The Shadow himself.

Saturday, July 4, 2015

Brad Meltzer is My New Favorite Author Interviewee!

The best thing I heard this week were two interviews Brad Meltzer gave via podcasts. The first was the latest installment of Kevin Smith’s Fat Man on Batman. I think I’ve said it before, but I’ll say it again: when Smith interviews a creator and deep dives into what makes that creator tick, it is some of the most inspirational things I’ve ever listened to. I had already gone back and re-listened to the Mark Hamill episodes before the Meltzer episode dropped. What’s great about Smith and Meltzer talking is that they’re me. They are about a year or two younger than I am so they lived the geek life I lived. But the material, the life experiences they discuss are wonderfully profound. Just listen to Meltzer’s comment about a ‘parent’s love in bottled form.’ I'm not ashamed to say that some of the discussion moved me, even sitting at my desk at the day job. Brilliant.

Throughout the podcast, Smith kept referencing “Hardwick” and needing to get Meltzer out in under an hour. It turns out that Meltzer was going on The Nerdist podcast with Chris Hardwick. Never heard of it but, in the high I felt right after the Fat Man episode, I immediately downloaded the Meltzer interview at the Nerdist. Holy moley! Even more Meltzer goodness. There was only about 5-10% of common material between the two episodes. What comes across is that Meltzer is a genuinely nice guy, the kind of person who’d invite you to sit down and talk with him even if he didn’t know you. I was eagerly awaiting the release of The President’s Shadow, his third Beecher White novel, and I snatched up the audiobook on release day (narrated by audio superstar Scott Brick). After hearing both of these episodes, I went home, pulled my copy of Identity Crisis from my bookshelf for a re-read (it’s been seven or eight years). I got the issue numbers he wrote for Green Arrow and Justice League and plan on getting those trade paperbacks soon.  I even checked my local listings on when Meltzer’s TV shows come on. 

Houston wasn’t on Meltzer’s tour schedule this year. That’s a shame, but these two podcasts make up for not seeing him in person. In a way, however, these two podcasts actually let you get to know the man more than a book event. That won’t stop me from hoping that his next project brings him to Houston. I want tell him thanks for being my inspiration this week.

BTW, The Nerdist podcast is awesome! I’ve already and listened to episodes featuring Tom Bergeron, William Shatner, Grant Morrison, and Mark Hamill. And there are something like 600 episodes. It's like Christmas...in July!


I'm a history major so I wouldn't be myself if I didn't acknowledge that today is Independence Day in the United States. Here is how John Adams predicted the great day (in his mind, 2 July) would be celebrated:

I am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival. It ought to be commemorated, as the Day of Deliverance by solemn Acts of Devotion to God Almighty. It ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.


I think he pretty much nailed it.