Deathly Hallows Completed...

SPOILER to Dealthly Hallows in Paragraph #1:

This is my immediate reaction to finishing Deathly Hallows, which I did Thursday, 7/26. I will write about my reactions to the content later.

There is something churning inside of me…and I don’t know what it is. I finished Harry Potter and the Deathly Hallows last night at 1:22am so I cannot discount fatigue. It did not help that my son woke up twice last night, around 2am and again around3:30. the second time was because he was scared and my mind flitted to the epilogue of Deathly Hallows where Harry himself is a parent, comforting his middle child on his first trip to Hogwarts.

So it might be fatigue. Another part, too, is the inevitable sense of loss and emptiness I feel for having completed the saga, having made it to the finish line with good friends and allies. We readers all knew the was coming, we all couldn’t wait to know how it all turned out but dreaded that very thing. We all wanted to savor these last few, never-been-read pages. Sure, we can—and we will—re-read these books but we’ll never agin have that feeling we had during one glorious week (or days or hours) in July 2007.

Now we must all ask ourselves “What’s next?” What other book can capture us the way J.K. Rowling’s books did? Before 21 July, I was reading Elmore Leonard’s first novel, a western. Now, it seems so quaint. I loved the epic nature of Harry’s story, his journey. I want that again. But, I think, reading only epics would dilute their grandeur, so I won’t. There’s always Stephen King’s Dark Tower series but that’s something else entirely.

Fatigue, loss and emptiness, longing for what’s next. That pretty much leaves only one thing: write one myself. Not a Harry Potter fan fiction piece, but a full-fledged epic. Maybe not seven books but something. But I’m not sure I’m ready yet. I think I need year on me, practice. JKR didn’t need practice, you say, and maybe I don’t either. We’ll see. But right now—as this little missive here demonstrates—writing is a salve and it burns within me to do only one thing: write.

Laziness is Next to...

My friend Doug has written about his current state of Non-Writing-Ness over at his blog. He talks about the differences in writing that first and second novel. He outlined his first but with his second, he is "flying blind." And that got me to thinking about my first two books.

My first novel, the Harry Truman mystery novel, Treason at Hanford, I decided to outline the entire book from start to finish. Back in 2005 when I was first writing that book, I learned that F. Scott Fitzgerald outlined all of his books. Hey, I thought, if he did it, why not me? And I also learned that even though outlining was a form of structure, the words and text took on a life of their own, revealing themselves in little nuances here and there. Another good factor about my outlining--I did it in scenes, written on note cards, and thumbtacked to a cork board--process was that in those precious two hours a day I had to write (10pm-midnight), I did not have any 'starting at the ceiling' moments. I knew exactly what I was to write that day. It helped. I wrote my first book in a little over 8 months.

With my second, however, things have changed. I am writing a contemporary crime novel set here in Houston post-Katrina. And, since I outlined the first book, I kept to that tradition. And I've found myself in Outline Hell! For the longest time, I told myself "You can't start writing until you know how the book ends." That has led to paralysis. I keep trying to figure out what the book was about and whom should be the focus. I keep trying to make the book perfect from the get-go. Wrong idea.

Originally, I had as my main character a black, ex-con, former enforcer, out of prison and seeking redemption. Now, my main character is a white, female, HPD detective with a streak of compassion running through her. How's that for a shift in focus?

But lately, I've made two crucial decisions and it all stems from the mantra Get It Written. One, I've decided to make my story a multiple-POV story. My ex-con, my detective, and some of the New Orleans evacuees will all share top billing and I will have certain chapters from each person's POV. That's a far cry from my original first-person POV versions of the book (I'm on version 4 now). Two, I'm just going to write it all down and if, after I've done that, the book does not flow with all of these characters, I'll trim it back. But I'll have the text down. As it is right now, I have nearly 100pp of written material...most of which I can't use. But it has all led me to this moment: Just Get It Written.

And, I've abandoned my intense desire to have the book 100% outlined before I start. I have 75-80% of it in my head and written down and I know how I'd like the book to end. It's just that the parts just after Act II ends and the big finale that are cloudy. But, I'm forging ahead.

I originally wanted the book finished by Memorial Day 2007 so I could shop it at the MWA-Southwest conference in Dallas back in June 2007. Then, I decided to complete the first draft by Labor Day 2007. Now, while I'll have a good chunk written by then, I'm not sure I'll have the entire thing finished. But I'll be well on my way. And, with a complete draft ready by the fall, I'll be able to start shopping my second novel around while I write/submit some short stories and start to work on Novel #3: probably a SF book. We'll see.

Oh, and once I get the software and hardware necessary, I'll be podcasting my Harry Truman novel over at Podiobooks.com. And, if that goes well, I'll podcast my second book. It's an adventure, writing, but it is a glorious one.

The Last Blog before the Deathly Hallows

It is now 9:42pm on Friday, 20 July 2007. Zero Hour is 137 minutes away. Wow. I have not felt this excited since Revenge of the Sith back in 2005.

I have just reviewed my list of predictions. I basically stand by them. I have learned since then that the true definition of 'half-blood' is *any* Muggle blood in your ancestry, not just one of your immediate parents. So, the Lily-losing-her-powers thing is one I should officially withdraw. But, the good thing is that if it *does* turn out to be true, I did see it.

The reason I'm writing tonight is that I was thinking about the prophesy. And I even did the daring thing of looking it up on Wiki tonight, complete with my eyes narrowed just in case a spoiler comes out. Here is the prophesy:

The one with the power to vanquish the Dark Lord approaches... born to those who have thrice defied him, born as the seventh month dies... and the Dark Lord will mark him as his equal, but he will have power the Dark Lord knows not... and either must die at the hand of the other for neither can live while the other survives... the one with the power to vanquish the Dark Lord will be born as the seventh month dies..."


Now, I'm still thinking that Harry will sacrifice himself...but the second to last line of the prophesy does leave the door cracked for Harry living. One must die. That is a given. You KNOW it ain't going to be Voldemort. So, that might be JKR's out. But I still can't see Harry and Ginny just living happily ever after having experienced so much. Who knows? We all will, starting tomorrow.

I can't wait. See y'all on the other side.

The Voice of Harry Potter is Coming to Houston

In preparation for this week's release of Harry Potter and the Deathly Hallows, I have been reading quite a number of articles online. The Washington Post has the Hogwarts Hub. Be sure to read the excellent essay, "Proud to be a Potterhead," by Sabaa Saleem Tahir. I'd be willing to bet that many adults followed the same path to Harry as her husband.

Today, in the New York Times, brings a great article about Jim Dale, the voice of Harry Potter for us Americans. In the article, I read the following magical words:

"After the book is released, he will do a tour of Houston, Washington, Philadelphia and Charlotte, N.C."

A quick Google search led me to the delightful revelation that Mr. Dale is coming to Blue Willow Bookshop, the great little independent bookstore near my house. I called just now and they still have tickets. Give'em a shout.

I have already extolled the wonders of Mr. Dale's reading in my earlier Harry Potter posts. Now, I get to see him live.

I have to admit: as a Star Wars geek, I did not think anything would come close to the feeling of excitement I got from waiting on all the new movies, especially The Empire Strikes Back and Return of the Jedi. Waiting for Book 7 (with all of its double-edged feelings of excitement and dread at the end of the journey) comes close.

Epiphanies Or Why Was I Not Already Doing It?

Epiphanies are funny. They provide that moment of clarity that, for whatever reason, you didn’t have before. Most epiphanies—at least mine—prompt you to say “Yo, dude, why hadn’t you been doing that before now? Why did it take, well, an epiphany to show you?” I can never answer, really. I always just chalk it up to “It Wasn’t the Right Time”.

So, there I was, sitting in front of my computer, and I read SFSignal’s report of Day 1 of ApolloCon. Dang, if it wasn’t in Houston, my hometown and where I now reside. Why the heck didn’t I know about this? And much of the focus was on SF/F *writing*. Aw man! And, the capper: David Hartwell, the editor of the Year’s Best SF anthologies published every year. The latest is Number 12. Again, I asked myself: why wasn’t I there?

Grumpily, I tell my wife about the ApolloCon and her first response was this: “Geek as you are, how did you not know about it?” Leave it to spouses to reinforce everything. My answer: well, I have not been paying attention to SF because I’m writing a straight mystery after my historical mystery. And that’s when I dawned on me: why am I doing that? Why, indeed.

Chris Roberson said it best in this interview:

“Science fiction is my native culture. (I'm stealing this phrase from someone else, but I can't for the life of me remember who originally said it. If no one steps forward, I'll claim it as my own.) Growing up in the States in the seventies and eighties, science fiction was ubiquitous. Everything from Saturday-morning cartoons to comic books to late-night B-movies to pulp novel reprints to blockbuster summer movies--it was all science fiction, in one form or another.

So I…decided not to fight it anymore.”

Bingo! That’s me, too. I mean, I have already written about how Star Wars changed my life and my love for the Harry Potter books. Why am I not writing anything science fictional? Dunno. But I’m starting now.

I took out my ideas book (Yeah, SF geek that I am, I still love the hard copy experience when compiling ideas) and wrote down all the various ideas that have been floating in my head for the past year. All of these that I have abandoned in some bizarre culling method to get to just ‘real’ stuff. Whatever.

Oh, and I bought Hartwell’s Year’s Best SF 12. Got to know what kind of stories that are being compiled in year’s best anthologies so I can, someday, get my work in there, too.

Writing that First Chapter...Finally!

Later on, when I finish my next novel, I can credit both my friend, Victoria Graydale, and Elmore Leonard for getting me off the snide and writing the first chapter. Last night, I attended a book signing for Graydale’s first novel, The Wizard’s Daughter, at OoLaLa in Houston, TX. It was the first book signing by an author I already know. And it was tres cool. Just seeing her there, copies of her book piled on the table, her artist bio poster acting as a backdrop, big smile on her face was a great feeling. And it reinforced my desire to do the same thing: have a signing for my books.

So how does Elmore Leonard come into play? I am reading (actually listening to the audiobook via Audible.com) his latest book, Up in Honey’s Room. I am greatly enjoying it, especially his co-star, Carl Webster. The reader does an especially fine job of conveying the speaking style of Carl, a boy who was born in Oklahoma in 1906, and all the other characters in Detroit of 1945.

But it is Leonard’s casual prose styling that I’ve been paying most attention to. His style is not flashy, just straightforward. As I have listened to this story, I remembered what my wife said to me as I tried, in vain, to write chapter 1. You are the storyteller, she said, so just tell me the story. I protested. But my wont is to be flashy, literary, unique. She smiled, and just repeated what she had just said: just tell me the story.

And I took that advice to heart last night. I pounded out six pages of text. And it felt good. It flowed nicely. So, I’m on the road. Thanks to Victoria and Elmore. See y’all on the other side.

Chicago III (1971): An Appreciation

Over at the Chicagofans site (free registration required), there is a new discussion about Chicago III (1971). For those who don’t know, III was Chicago’s third straight double-LP in two years. Later in 1971, they would release the 4-LP Chicago at Carnegie Hall. Impressive debut, if you ask me. Ten LPs, totaling 20 sides of music from 1969-1971.

Anyway, the consensus is mixed on III. Some love its obvious musical experimentation while some hate the mix or the overlong songs. In order to get my take on III, you have to know how I break down Chicago’s catalog. There was the Originals, that is 1967-1977. This included their first LP (Chicago Transit Authority) through Chicago XI. In January 1977, original guitarist/vocalist Terry Kath accidentally shot himself. So, no matter how good Chicago would go on to become, there was always a tinge of loss.

Of the decade that I call the Originals, Chicago at Carnegie Hall (usually given the moniker IV) marked a natural break. After IV, Chicago released its first single LP, the phenomenal Chicago V (1972) which walked the tightrope of long pieces and radio-friendly shorter songs. Chicago VI was more even more radio-friendly. By the time Chicago VII was released, the band’s last double-LP to date, Chicago was a radio-friendly band. How did they know that? Lots of fans dismissed LP#1 of Chicago VII, which had long instrumental tracks of more musical experimentation. Fans in concert grew bored with these longer passages and Chicago learned from that.

All this is to allow me to put Chicago III in context. While LP#1 of Chicago VII was their attempt to *return* to their experimental time, Chicago III was made when they were in the *middle* of it. You can tell they did not care about song lengths because they made three suites of music. And with four sides of music, only side 1/LP1 did not contain a suite. In their minds, they were creating extended musical statements, not necessarily extended solos.

Chicago III was, to my mind, the last record they made *for themselves* until 1993 and the still-unreleased Stone of Sisyphus. They did whatever they wanted. Crosby, Stills, Nash, and Young? Check with “Flight 602.” Classically-oriented horn piece? Check with “Elegy.” Environmental song? Check with “Mother,” a fascinating horn piece where trombonist Jimmy Pankow solos alongside…Jimmy Pankow. Latin-inspired number? Check with “Happy Cause I’m Going Home.” Social commentary? Check with the ending of Elegy, the Travel Suite, and Robert Lamm’s reading of “When All the Laughter Dies in Sorrow.” Killer guitar solo by Terry Kath? Check with "Sing a Mean Tune Kid." A couple of radio-friendly pieces? Check with “Lowdown” and “Free,” the latter of which includes on of the best horn breaks in all of Chicago’s oeuvre.

And then there's that album cover design of the logo... It evokes life in America during the final years of Vietnam. And the album insert had all seven band members dressed in various military uniforms posing in Arlington National Cemetery.

How do I rank III? While I have never ranked it among my Top 5 favorite records (CTA, II, Stone of Sisyphus, V, 17), it is in the top 10, usually jockeying with VII for positions number 6 or 7.

In short, Chicago III has a little bit of everything. And that might be its undoing in the eyes of many fans. There are other, more streamlined and precise LPs, even in the early catalog. But III, as a whole, is a bit untidy. And that, to me, is one of its graces.

Podcasting and the Future

I just finished listening to an interview with Scott Sigler over at Adventures in SciFi Publishing. Sigler podcasted his books and gained an actual print contract because of it. Just hearing his enthusiasm for the medium and the new way to get books out to people is infectious.

I am an avid listener of audiobooks. With a 45-minute (one-way) commute, I get more books read via audiobook than I do via hard copy. I have already given thought to podcasting Treason at Hanford. Now, with the success of Sigler’s (and others at www.podiobooks.com), I’m thinking that I definitely will podcast Treason. It is very, very exciting to ponder the possibilities…but not without realizing that it will not be easy. It will take hard work. The good thing is that I’m willing to do it.

Now, I just need to test my sound system and make sure I have good enough quality audio equipment. Stay tuned...

My take on Springsteen's "Born to Run"

I originally wrote this in 2002 after Springsteen's The Rising was released.

“Born to Run” has many elements that make it one of the quintessential rock and roll songs. It has meaningful lyrics that do not pander but tell it like it is for many people: isolation, desolation, searching, redemption. The fury with which the original blasted through the speakers is tempered only by the solo acoustic version of 1988. The fury with which the music is played counterpoints the desperation of the lyrics, the search for something better in life and in love. And, I could argue, the sax solo is the climax of the love affair between the singer and Wendy. After they are spent, they realize that there is still the search for 'that place in the sun,' a search that may never be resolved. But, they are together and, together, they will search.

And the more-adult, older Bruce that sings BTR with only his acoustic guitar is, one could argue, talking to the singer of BTR from the vantage point of age. Bruce, with his failed first marriage and the infidelities within, lived the life of one of his characters. The Bruce of 1988 is telling the Bruce of 1975 that even when you might think you have everything, it can crumble and leave you lower than before. So, the search continues and, the redemption [for all of its faults] is the love of a wife and children that he sings about on his 1992 CDs, Human Touch and Lucky Town.

In light of the redemptive qualities from his 2002 CD, The Rising, “Born to Run” is bittersweet. It is redemptive but still tentative.

Politics, Harry Potter, and Modern Culture

If you remember my earlier column detailing why I started reading the Harry Potter series this spring (21 May, "Reading Harry Potter"), here's another example of how aspects of the Harry Potter series has crept into our vocabulary (as well as a couple of other dreadful folks as well).

Here is the quote from this article:

Given the standing of these men at this moment, it was a little like watching Lord Voldemort trying to defend himself with character testimonies from Sauron of Mordor and the White Witch from Narnia.

Now that I've finished books 1-6, I know exactly what the author is talking about and can smile knowingly.

As, as a marker for history to judge, the title of that article is "The Democrats can't lose. Except in two ways." Hmm, let's see if this article is available during the first week of November 2008.

Summer Reading List

Now that I have finished the first six books of the Harry Potter series, here are the rest of the books that are on my summer reading list.

• The Wizard’s Daughter by Victoria Graydale – a first novel by a friend of mine. The more I discuss promotional possibilities about her book the more I can’t wait for my first novel to find a publisher so I can get on with my writing career.
  
• The Yiddish Policeman’s Union by Michael Chabon – Chabon is that unique writer who can be at home both in the geek world of genre literature and the frou-frou world of Literature. In fact, his 2001 book, The Adventure of Kavalier and Clay did both…and won him the Pulitzer. Now, he’s crafted an alternate history, noir, detective novel set in Alaska where the Jewish nation was not created in the Middle East but in the town of Sitka. Chabon’s prose is what makes him special. Oh, to write close to that…
• Up in Honey’s Room by Elmore Leonard – The Dialogue Master. Leonard’s way of writing is to get characters together, get them talking, and see what happens. That’s not exactly my way of doing things—so far, I’m an outliner because I like to plan my books and stories—but Leonard’s books are just plain fun.
• The Overlook by Michael Connelly – The revised Harry Bosch story first published in the New York Times Sunday Magazine. I created an eBook version of the NYT story and, as a writer, it is fascinating to compare the two works and figure out why Connelly made certain corrections. It shall be a lesson in writing and a dang good story. I recently met him at a book signing and he inscribed the neatest thing for me: “Writing is fighting. I hope you knock them out.”
• Short Science Fiction – For a few years, every summer I would buy both Gardner Dozois’s Year’s Best Science Fiction and David Hartwell’s Year’s Best SF. I don’t have a lot of time to read so I let them cull the field and then I’d read those stories. I got behind so I’m working my way through the ones I already have, both to finish the books as well as research into the current state of SF. I plan to publish SF in my writing career as well as historical novels and mysteries.
• The Space Opera Renaissance - I am curious about space opera in the printed world. Sure, the movie/TV stuff is easy to watch and like: Star Wars, Battlestar Galactica, the Adventure of Brisco County, Jr. But how did it evolve in the printed world. That's a question for the summer, too.
  
• Heinlein’s YA Books – Ever since visiting DisneyWorld in April, the world of YA fiction has awakened in me. I’d like to try my hand at it. And since I can’t determine if my stories should be SF or straight-up mysteries, I’m starting with Heinlein’s classics: Have Spacesuit Will Travel, The Rolling Stones, and Citizen of the Galaxy. Why those? Because the library has audiobook versions.
• Audiobooks – speaking of audiobooks, here is my list of audiobooks I’ll be listening to this summer: Boomsday, Nixon and Kissenger, Kingdom Keepers (another DisneyWorld connection), and Walt Disney’s biography.
• One Hundred years of Solitude – It’s just one of those books I’ve wanted to read for about 15 years now. I know I should. Perhaps this will be the summer it happens.

That’s about all for now. This list keeps churning and changing so I’ll update it when necessary.