(This is my latest entry for Patti Abbott's Forgotten Books Project.)
Reboots can be a tricky thing. When you get it right (Batman Begins, Casino Royale, Star Trek), it’s fantastic. When you get it wrong (Terminator 3; Terminator: Salvation, Indiana Jones and the Kingdom of the Crystal Skull [not a true reboot but it keeps with my thesis]), it’s horrible. Thus, when I learned that Dynamite Comics was re-introducing The Lone Ranger, I was hesitant. This is one of the longest and storied franchises in pop culture.
Most everyone knows at least one thing about the Lone Ranger, even if it’s tangentially. Would the writers and artists update this beacon of goodness with a bunch of violence and language (in short, would they “Deadwood”-ify it) or make it too cheesy? Curious, I bought volume 1 trade paperback and cracked it open.
Boy, was I worried for nothing. I haven’t read anything this entertaining since Gabriel Hunt at the Well of Eternity or Tarzan of the Apes. As Geoff Johns writes in the introduction, this new comics adventure of the Lone Ranger and Tonto is an updating to the legend but all the aspects of the legend remains intact and in place. What writer Brett Matthews has done, however, is give order and an origin to just about every aspect that we know about the Lone Ranger.
This is an origin story, plain and simple. Texas Ranger John Reid is the lone survivor of an ambush. Fellow Rangers perish including his older brother and father. Reid himself is barely alive before Tonto, a Native American Indian, nurses the dying Ranger back to life. Here, Tonto’s origins are merely hinted at in off-hand references and stoic silences. You get the sense that Tonto is older and wiser than the young Reid who has to come to terms with what happened and his desire for single-minded revenge.
One by one, all the elements that make up the whole of the Lone Ranger legend gets a spotlight shined on it. Why Reid wears a mask. Check. Where he gets the silver. Check. How he finds his horse, Silver. Check. And, in a touching moment, why he says “hi-yo Silver.” It’s all here. Oh, and Butch Cavendish is here, too. Of all the things changed, Cavendish is the one. I can’t quite remember what he was like in the old radio shows or the TV show but, suffice it to say, he probably wasn’t what he is here. There’s also a hired killer and he’s a bad ass.
The relationship between the Lone Ranger and Tonto is the best part. Tonto keeps prodding the young Reid to be the man he knows the west needs. He does it by teaching, sometimes with words, sometimes with fists. There’s a lot more light-hearted banter and comedy than I expected but it doesn’t detract from the sobering themes of revenge and justice and finding one’s place in life. A nice touch in the dialogue bubbles is the use of smaller text to indicate whispering or off-hand asides. It brings the entire story that much more into realism.
The art by Sergio Cariello is fantastic and quite detailed. There are whole pages and panels where you can see and feel the dirt and grit of the old west. Others are the mark of subtle artist, displaying all the emotions in the eyes. The giant splash pages and covers are magnificent and really evoke that old-school charm of the Lone Ranger.
I only started reading westerns last year and already I’ve been bitten by the western bug. I’ve read a few since then (I’ve even written one with more to follow) but I’d have been reading westerns for a couple of years now had I read The Lone Ranger when it debuted in 2007. Do yourself a favor: pick up this trade paperback and return to those thrilling days of yesteryear.