Gregg Hurwitz may be a new-to-me author, but I wasn't sure what to expect when he showed up at Houston's Murder by the Book on the first Monday in February. He was the author of twenty-one books--a fact on which he corrected me when I asked him a pair of questions--so clearly many are reading.
Turned out the answer was a capacity crowd. By the time I walked in the door at 6:15 pm, there were no more seats. Didn't bother me. I have a standing desk at the day job, so I was perfectly fine with standing. I was even more excited to find stacks of the second Orphan X novel, THE NOWHERE MAN. You see, I'm new to Hurwitz's fiction and, as discussed in a prior post, was having the devil of a time securing a copy of the second book in the series. Leave it to Houston's best mystery bookstore to have my back.
The folks at Murder by the Book are nothing if not prompt, so a tad after 6:30, Hurwitz, dressed in black jeans, black shoes, and a black pullover took to the microphone. It's a never-ending trait of author events when you finally see these men and women in person, you realize they're just regular folks. You may be an engineer, a stay-at-home parent, a marketing writer, or an electrician, but these authors are just doing a job. Granted, their job is to make up stories for a living, but it still requires the nuts-and-bolts aspect of sitting down and hammering on a keyboard until they get to a 'the end.'
Hurwitz was the rare author who actually brought notes with him. It told me he was prepared for the evening and knew what he wanted to say. A professional, in short. Have to admire that.
His spiel centered on INTO THE FIRE, his newest novel and the fifth Orphan X novel to feature the character of Evan Smoak. He talked about where Evan finds himself at the novel opens, and the setup for the person who makes the fateful call to the Nowhere Man. Hurwitz discussed some of the returning characters, some I recognized having just read the first book in the series--ORPHAN X (my review)--and others I hadn't met yet.
I've only read the first book and it resonated with me. I knew why, but it was a phrase Hurwitz used that crystallized it: "We never see James Bond go home. We never see Jason Bourne have an awkward conversation." In short, we never see our famous professional killers in an everyday environment. It was that very aspect of ORPHAN X I loved the most. Sure, Evan was going to take out every bad guy he encounters no matter the personal cost, but his conversations with the old lady who lives in the apartment above him or the single mom a few floors below were some of my favorite parts.
After a short reading, Hurwitz took questions. It was cool to see a fellow Houstonian be recognized by the author by name. She was clearly a long-time fan. As an author myself, those are the best. She asked about the character Max (I think that's what she said) who is the one who calls on Evan for help in INTO THE FIRE. The new novel was released last Tuesday and clearly she'd already flown through it. She wasn't the only one. Hurwitz's answer focused on the difference between stories featuring a hero vs. a villain and a tale with a protagonist and an antagonist. There is a distinction. Remember: the best villains are the ones in which they think they're the hero of their own tale. There is room for nuance and character building. Conflict naturally comes from the clash of two protagonists who naturally become antagonists.
Late in the Q&A session, I got in two. The first was how he came to dream up and write ORPHAN X. At the time (2016), he had been writing professionally for over fifteen years. Did he always want to create a franchise character that would appeal to a broad audience? He answered by saying he dreamed up the concept of Evan Smoak years before the book was written and published, but he specifically wrote three other books in between. He needed Smoak to percolate in his mind. By the time he came to write the first book in the series, he and his talents were ready. The success of the series is proof that marinating with an idea can yield spectacular results.
Although I am new to Hurwitz's novels, it wasn't until I had finished ORPHAN X and did a little research that it finally clicked where I knew his name: he wrote Batman comics. I asked him how he got the Batman gig. His answer proved instructive to any creative, myself included.
After a brief stint at Marvel, DC Comics wooed Hurwitz with a tantalizing offer: you can write anything you want. Thinking of how THE KILLING JOKE is often referred to as the definitive Joker story, he wanted to write the definitive Penguin story. He got his chance, and, in 2011, PAIN AND PREJUDICE was released. The mini-series got good press and fan reaction that DC offered Hurwitz a writing gig for one of the monthly Batman books. By opting for a true passion project, new opportunities opened up.
I stayed in line, talking with some of the folks. A couple thanked me for asking the question about the comic books. They had no idea. Maybe they'll head to Bedrock City or Third Planet and track down Hurwitz's comics. One lady learned I was a writer as we discussed Hurwitz's material and I gave her my website address. Who knows? Maybe I gained a reader.
Hurtwitz certainly did. I've enjoyed witnessing my wife's reading habits. When she discovers and author with an extensive back catalog, she plows through them all. Now I've found one myself. Twenty more books to go.
I got Hurwitz's signature in THE NOWHERE MAN and am eager to read it. I really enjoy Evan Smoak as a character and Hurwitz's writing style. Then there's that one intriguing little thing Hurwitz mentioned about the end of INTO THE DARK that hooked me even more: "The last three words change everything."
How's that for a sales pitch?
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