Back in 1984, I was finishing my freshman year of high school. It was Finals Week. Some of my friends were going to see the movie opening day. My parents said no. It wasn't a full no. It was a no until after finals. I grumbled, knowing I wouldn't be able to see it opening day. But I ended up seeing it.
As a youth, I loved it. It was an Indiana Jones file. What's not to love? Temple of Doom was different than Raiders of the Lost Ark. Not bad. Different. I loved seeing Short Round, a few years younger than my fifteen-year-old self. The love interest, Willie Scott, was not Marion Ravenwood. The music was fantastic. And seeing Indy/Harrison Ford react to the blood of Kali was pretty gripping stuff.
Over the years, I've rarely rewatched Temple of Doom. Once Last Crusade came out, it eclipsed the second movie in my list. Then, when Crystal Skull was released, Temple of Doom was no longer the "worst" Indy film. That's a misnomer. Temple of Doom was never the worst. It was just third in a great trilogy of films.
Now that we've had the 35th anniversary, I felt it was long past time to revisit the movie. I've got a lot more years in me--and a many more stories--so I was able to appreciate Temple of Doom on its own.
The 2019 Verdict
And I really enjoyed it. Yes, it is definitely different in tone, but that's what Lucas and Spielberg wanted. They wanted the darker sequel/prequel to the bright first entry. Granted, Raiders was plenty dark. The vibe Lucas and Spielberg seemed to be going for was the scary adventures of the pulp magazines of the 1930s. I've read and studied much about the pulps by now, and I can easily see they got what they wanted.
I also appreciated Indy's choices in the movie. For all of his heroics in Raiders, he was on a mission for someone else. Well, something else: the US government. In Temple of Doom, Indy is out for himself. He's figured out the missing sacred rock of the village is one of the Shakara Stones. "Fortune and glory" is what prompts him on the journey, but the missing children is what grips his heart.
This is the first time I've watched this movie as a dad. I viscerally felt the anguish of the parents this time. What if some ancient evil took all the children? What if it took my child? What would I do?
What Indy did. His utterance of "All of us" right as he starts the children revolt is striking. Always was, but when you're a fifteen year old, you don't get it as much as you do when you're fifty.
Which made the reunion of the kids with the parents so much better this time. I know all those folks were actors but dang, did the emotions come during that scene. Well done.
I noticed how Ford lightened up Indy a little bit. Despite the darkness of the film, Indy himself is mostly light, especially with the interplay between him and Willie and him and Short Round. I'm sure Ford shaped the character in this manner, and I enjoyed it.
The music!
I haven't heard this music in a long time, but I was humming it all the time after the re-watch. "Short Round's Theme" and "Mine Car Chase" are as great as always, but "Slave Children Crusade" was extra special this time.
And I didn't even mind Willie's screaming all the time.
In all, I again thoroughly enjoyed re-watching Temple of Doom. And no: I cannot believe it has been thirty-five years!
With the Temple of Doom anniversary and Last Crusade anniversary (30, all part of the magnificent Summer of '89 at the movies), I think you know what's coming next.
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